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Das ist natürlich die Stunde der besungenen Österreicher, vertreten durch Hey O Hansen, die sich aber auskennen auf dem Kiez, und einen diesmal wirklich straighten Dubstep-Hit in den Hafen hieven, dass kein Container auf dem andern bleibt.

Unfassbar allein schon der granulare Sokoban, mit dem sie die Vocals veredeln. Wie gesagt, die räumen die bunten Kisten so auf, dass die Pressetexter aus Angst im Alpenurlaub verschellen. Da bleibt dem Presto Peter eigentlich nur noch, einen freundlich tänzelnden Digidub nachzuschieben, zu dem sich nonchalant ein pudelwohles Piano gesellt und Gutenachtküsse verteilt.

Lawrence zeigt seinen Samplestempel vor, zieht sich gleich an die Bar zurück und tüdelt dort in Ruhe an der mitgebrachten Beatidee, und lässt ansonsten die Dubreformer die Räder am Wagen sein. Pauli aus den Löchern. Tja, Superpudel fliegt wieder! It is a great german speaking internet radio station! Surprises are not to be big - above all they are to be pleasant. When Helmut and Michael told me about this, I just thought: Because I've known both band and label for so long.

What was happening here was simply bound to happen. Just like when you have two seperate friends in two different cities, and when they meet for the first time, at a party at your's, it turns out they always used to sit next to each other in primary school. Except for that party at your's, but that's coming. Or, as one of the souls of Austrian Radio once termed it, their sing-along dub.

That's not the whole story however, for in the band's own words: Just because it says dub doesn't mean it's reggae. Then you'll find the Eiffel Tower standing among palm trees, on which oranges are growing, and in a piece of peel of these we embark on a trip to Chicago Ukraine , the cow in mouse format is coming along too, and we'll take something to read, a dictionary, for the beautiful stories inside.

And while we're taking a detour via South America to buy some coffee , this bottle message gets washed up and brings us a doll's radio, sounding old rocksteady classics. Then they'll toot with their mouths, it's the will that matters, the melodica is good for an accordion, and if you have a guitar, you must play a solo.

And so we got the Pingipung Cafe Orchestra. No later than when you realize that what first sounded like a musical box is a classical harp, however, it becomes clear that chubby-handed toy music is something different. These kids have been at it for a long time. They tidy up their little big world as they think best. They sometimes let the clouds darken the skies, too.

They've got friends who command their instruments like weapons. So why do people call it Austrodub? Because they had been raised to the off-beat of Tyrolian folk music when they met in their hometown of Innsbruck, in a band called Captain Cheops and the Pyramids, that recognized the same off-beat in Ska and Rocksteady. Because Helmut went to Berlin then, Michael somehow following him in advance, and both continued experimenting, on their own as well as together.

And as everyone knows, people were playing samplers and sequencers in Berlin, rather than real instruments. Which was good, because it worked. Their four-track tape grew into a professional studio, and every now and then, they took it across the land and onto stages, and its recordings found their way into the ether and across the seven seas.

Is it really that alpine off-beat? Or is it Austrian cuisine - open to all sides, and a knack for the sweet? I think the reason for that is something entirely different. It's due to the fact that two principles are playing cat and mouse here, chasing after each other like sun and moon. It's because the centrifugal forces of artistic cross-grainedness are tearing at the central body of studio production that is up to every trick, because they're keeping the soaring flights of technical legerdemain and the craft of the studio nerd far away from polished standard in the improvisational joy of pre-digital home recording and the avant-garde's urge to break away.

It's because they let precise programming and straightforward, tight and focused drumming they can do that, too shine their calm light on rich and playful lo-fi details that frolic to their heart's delight, aware of and committed to artistic freedom and independence, and with disdain for coolness.

And it's because they develop their songs out of the structural openness and unpredictability of live performance, not out of stylish product ideas, even those that end up going down as well as the evergreens in this collection, and that's how they outlive every change of trend. Their choice of musicians that they integrated into their band time and again over the years provides further evidence for this push for freedom, for the original, the wide world: Simonetta Ginelli's enchanting harp and Gordon Odameteys burning percussion, and currently the peerless Olaf Rupp guitar and Kazumi vocals - just mentioning those that I know myself, and including those who didn't make it onto the CD.

But here is where it opens up. And, as always, you are allowed to dance. Als Helmut und Michael mir das berichteten, dachte ich nur: Denn Band und Label kenne ich beide schon so lange. Naja, irgendwie verhält es sich hier ja wirklich so. Bis auf die Party bei dir, aber die kommt noch. Aber das ist nicht die ganze Geschichte. Denn, wie sie selbst sagen: Nicht überall, wo Dub draufsteht, ist auch Reggae drin.

Da steht dann der Eiffelturm unter Palmen, an denen Orangen wachsen, in deren Schalenstückchen man sich auf den Weg nach Chicago Ukraine macht, die Kuh im Mausformat kommt mit, und zum Lesen ein Wörterbuch, wegen der schönen Geschichten. Keine Tuten im Haushalt? Dann tuten sie mit dem Mund, der Wille macht's, fürs Akkordeon taugt die Melodika, und wer die Gitarre hat, muss halt ein Solo spielen. Fertig ist das Pingipung Cafe Orchestra. Spätestens aber, wenn das, was erst wie eine Spieluhr klingt, sich als klassische Harfe entpuppt, ist jedoch klar: Patschhändige Spielzeugmusik ist was anderes.

Diese Kinder sind schon lange dabei. Die lassen auch mal dunkle Wolken aufziehen. Die haben Freunde, die können ihr Instrument führen wie eine Waffe.

Warum schreiben die Leute Austrodub? Weil Helmut dann nach Berlin ging, Michael ihm irgendwie voraus hinterher, und sie dort alleine und zu zweit weiterprobierten. Das war gut, denn damit ging was. Aus dem Vierspurtape wuchs ein professionelles Studio, das wurde immer wieder durchs Land und auf Bühnen getragen, und fand auf Tonträgern den Weg in den Äther und über die sieben Meere.

Ist es wirklich dieser alpine Offbeat? Ich glaube, es liegt an was ganz anderem. Es liegt daran, dass hier zwei Prinzipien Katz und Maus miteinander spielen, sich jagen wie Sonne und Mond.

Denn am Zentralgestirn der mit allen Wassern gewaschenen Studioproduktion zerren die Fliehkräfte der künstlerischen Widerborstigkeit, die die Höhenflüge technischer Tricks und das Handwerk des Studio-Nerds weitab vom Amtlichen in der Improvisationlust des vordigitalen Homerecordings und dem Absetzungsdrang der Avantgarde halten. Es liegt daran, dass präzise Programmierung und schnörkelloses, auf den Punkt tightes Schlagzeug das können sie auch ihr Licht entspannt auf detailreiche Lo-Fi-Verspieltheiten leuchten lassen dürfen, die sich in Bewusstsein und Pflicht künstlerischer Freiheit und Unabhängigkeit und Missachtung von Coolness nach Herzenslust austoben.

Dass ihre Stücke eben auch aus der strukturellen Offenheit und Unberechenbarkeit des Live-Spiels entwickelt werden, und nicht aus gefälliger Produktidee, selbst wenn sie dann so reinlaufen wie die Evergreens in dieser Sammlung, weil sie eben damit jede Trendwende überdauern. Für diesen Drang zur Freiheit, zum Originären, zur weiten Welt spricht auch die Auswahl der Musiker, die sie im Laufe der Jahre immer wieder in ihre Band integriert haben, Simonetta Ginellis zauberhafte Harfe und Gordon Odameteys glühende Percussion, und aktuell die unvergleichlichen Olaf Rupp Gitarre und Kazumi Vocals - um die mir selbst bekannten zu nennen, auch die, die es nicht auf diese CD geschafft haben.

Aber hier geht er auf. Und es darf, wie immer, getanzt werden. It features a crazy assortment of the strangest sounds: Marcelle is one of the greatest live DJs and plays her sets on stages all over Europe, and now also gets ready to conquer your domestic record player. This album is a celebration of musical inspiration and personal friendship worldwide.

Hiram 'Hank' King Williams September 17, - January 1, was an American singer, guitarist, and songwriter who has also become an icon of country music and Rock 'n' Roll, and one of the most influential musicians of the 20th century. A ramblin' man no horse, no rider B1 rumble hey-o-hansen B2 rumble version hey-o-hansen.

Hailing from Manchester, Edinburgh, and Wormerveer, Netherlands, now living in the small city of Krommenie near Amsterdam , The Bent Moustache members have been busy in the Dutch and British music-scene already for quite some years. After a period of side-projects and jobs as tourmanagers and soundmen the three started The Bent Moustache and released their debut 7'' in January , followed by ''Forst'' in late In hey-o-hansen released a series of 12inch singles, documenting their musical journey starting from the soundtracks to a yet unwriten Emir Kusturica film stepping into their unique style of Berlin-Afro-Alpin-Dubstep-Killersound completely obliterating any sound system with some maximum badness.

This is the cd compilation of the vinyl collectors series. All you dubstep fans out there, listen up to an incredible 75 minutes mixture of so many different styles, mixed like a well thought out pot of austrian soup with dumplings. A truly intriguing and rewarding piece of dancefloor science.

Just peerless material, Pull up operator! Breite, dichte Tracks vereinen die Strömungen, die uns alle haben tanzen lassen im letzten Jahr. Wir verweisen auf die Besprechungen der einzelnen Maxis und freuen uns, dass man das nun auch in einem Rutsch perfekt durchhören kann.

A hybrid of styles and sounds, Hey-O-Hansen are the type of collective for whom the word 'eclectic' could have been minted - as they plunder the annals for dubstep, techno, reggae, ambient, folk and psych, then peel off the best bits before reassembling it as a fully functioning and utterly unique entity.

Bringing together all six singles, this handy CD distillation will come as a boon both to those who missed out first time round or have seen their vinyl develop RTS through time under the stylus.

Kicking proceedings into touch, opening track 'Moon' is a gleeful refraction of genre-bustin' excess that was originally conceived as the soundtrack to an as yet unwritten Emir Kusturica film. Jacked to the peak of fitness, 'Moon' is also included in its Thaddi clothed mix - wherein some minimal Chicago flavours are delivered via the Alps for warped nourishment. Elsewhere, 'Fly Home' is bpm of sheer joy, 'Babylon System' deploys sub-bass galore, whilst 'Abraxas' marks the end through some wonk-step madness that really shouldn't work as well as it does Apparently crafted as an answer to Kode 9's '9 Samurai' take that with a pinch of salt mind If that all sounds a bit intimidating, don't fear - because amongst all this bwopping beats is the same attention to detail and emotional warmth that has made their name, with 'Abraxas' representing the kind of dubstep you could take home to meet your mum.

Busy enough to warrant full resolution, the composition never seems cluttered - as the horns weave their magic around Lowtzow's intoned vocals. Joined on the back by 'Abraxas Version' wherein it's made sparser and even more chunky , this is a fitting end to a much lauded series.

Das Lüneburger Label Pingipung veröffentlicht freundlich-kluge Elektronika, die den Geist hüpfen macht. Stets klug, nie arrogant. Oft niedlich, nie belanglos. Gern vertrackt, nicht aber verstiegen. Following the compilation "Pingipung plays: Messer Chups - Prokatumskaya na Karusselu Russia http: Hey-o-Hansen - Moon Austria http: Benedictusschool The Netherlands http: Yuko Nexus6 - Mura no Kajiya Japan http: UX - Cortina United Kingdom http: Humbert Humbert - Soul Weasel Spain http: Latifa Punk - Arabictext Israel http: Andenet Anbessa - Melkam Guzo Ethiopia.

With this 12inch hey-o-hansen are moving beyond dubstep style. Starting with a funeral brass band from ghana followed by super lo basslines and percussion explosions. With a lead track that features waves of vocals, African rhythms, electronic beats, and sub-bass galore, 'Babylon System' pretty much assembles itself - fusing a Ghanaian funeral brass band to dubstep schematics in a style which will have you stuck in the groove well past the run-out.

On the back is a remix from the man Multipara - best known for his output on Lux Nigra and journalistic skills - wherein rave-hop makes its presence felt through some carbonated styles which cross cut the West African base with a topping of potent chrome beats.

Eclectic, loud and proud, 'Babylon System' is further reason to make space in your collection for an 'Alpine Dubstep' section With this 12inch hey-o-hansen are moving fastly towards the dubstep style. The track has the atmosphere of a perfect idyll on a tyrolean alp and the frightening sound of a capella dance steps recorded at the last dance of berlin 'komische oper' opera ballet dancers before the ballet was closed.

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Latifa Punk - Arabictext Israel http: Andenet Anbessa - Melkam Guzo Ethiopia. With this 12inch hey-o-hansen are moving beyond dubstep style. Starting with a funeral brass band from ghana followed by super lo basslines and percussion explosions. With a lead track that features waves of vocals, African rhythms, electronic beats, and sub-bass galore, 'Babylon System' pretty much assembles itself - fusing a Ghanaian funeral brass band to dubstep schematics in a style which will have you stuck in the groove well past the run-out.

On the back is a remix from the man Multipara - best known for his output on Lux Nigra and journalistic skills - wherein rave-hop makes its presence felt through some carbonated styles which cross cut the West African base with a topping of potent chrome beats. Eclectic, loud and proud, 'Babylon System' is further reason to make space in your collection for an 'Alpine Dubstep' section With this 12inch hey-o-hansen are moving fastly towards the dubstep style.

The track has the atmosphere of a perfect idyll on a tyrolean alp and the frightening sound of a capella dance steps recorded at the last dance of berlin 'komische oper' opera ballet dancers before the ballet was closed.

A heartbreaking acoustic guitar solo improvised by Olaf Rupp www. The biggest pressure is now Nabli. He is also part of Fever with Paul P. He stayed for a year in Londons Hackney area and created music with ultra-low twisted basslines during the rise of what would become later Grime.

Trust me for Mental Groove. Flying in at a rockin' bpm with nifty half-step tendencies, the track develops into layers of lush latin guitars and swirling synth pads with joyful rasta cries for some goodtime party biznizz.

A truly intriguing and rewarding piece of dancefloor science, get your snaffle on. Following up 'Moon' and 'Gogogo', two chart-toppers in these here parts, comes this excellent third volume in the Hey singles series. It's a timely and refreshing blend, as the Hey boys join forces with Karl Marx Stadt - Hey rocking the top-side with some adulterated bashment, Karl Marx Stadt chopping up the place with a dubstep beamer, straight in your face. Featuring band fellow sir lord gordon odametey tackling the fiery subject matter ina fashion somewhere close to Super Cat, an unnamed ice-maiden on chorus duties and a rhythm seemingly updated from Cutty Ranks late eighties - early nineties raggamuffin take on the 'lambada', you've a new and sweetly twisted chapter in the remarkable Hey discography.

Berlin flipping the alpine dub in yet another direction, and then halfway through the tune, completely obliterating any sound system with some maximum badness. Hey-o-Hansen Konzept und Textauswahl: It features an incredible mixture of so many different styles, mixing those styles like a well thought out pot of austrian soup with dumplings.

GOGOGO should freshen even the most jaded pair of ears, there is definitely something special about the melody running throughout. Touted as afro alpine dub techno with vocals, alp horns, african percussion and a steady beat, you may well be surprised by the gleaming, shimmering, mountain railway groove, ideal soundtrack material for those summer trips into the mountains.

Excellent stuff, no doubt. The project has its tentacles clawed into some of the cities best known underground establishments with long-term connections and afiliations alongside numerous labels, the Hard Wax axis, Iceland's ecclectic Mum collective and yet their music has resolutely singled itself out from the crowd. The results have never been anything less than captivating, with even hardened techno casualties unable to resist its originality and endless charm.

This awesome release unearths new track 'Moon' - another refracting gem of multi-generic deviations that sound like the soundtrack to an as yet unwriten Emir Kusturica film - just peerless material. The flipside, however, is what will totally wreck you Thaddi evolving the track into an unlikely blend of minimal jacking Chicago acid and Alpine folk, sort of like Mr Fingers with accordions!! Honestly, you'll have never heard anything quite like this and we implore you all to buy it immediately.

Doku, 90 min, über das Berliner Nachtleben, Technoszene. Von Zartheit, Exzess und Zerstörung, vom nie wieder heim und schlafen wollen. Experimentell, nonlinear, wie die Tag gewordenen Nächte. Der Film will weder verharmlosen noch verurteilen. Es wird keine endgültige Aussage getroffen. Aussagen über die befreiende und die zerstörerische Kraft des Feierns stehen wertfrei nebeneinander. Rag y los Hermanos Patchekos - Joey's Song 2. White Hassle - Rock me Gently 3. Kapelle Wlodek - Black Powder 4.

Solo Dos en Tijuana - La Guaira 5. Dos Hermanos - Deine Augen 6. Hey-o-Hansen - Moondub 7. Rag - Dijen Prijol 8. The Poison Arrows - Signs not symbols 9. DJ Ernesto - One Rag und die Landlergschwister - Jugendzeit Kamerakino - Drahtseillady Elektra Rag y los Hermanos Patchekos - Magdalena Dead Brothers - Ghost Train.

Friday, Feb 11th , KARMA and save euro 2. VAT on the regular CD price. Had they not broken up? What was the last one: Wait, there was another, in , again released on Pingipung, with brassy tunes and the feat of casually putting the dub back into dubstep: They must have run out of ideas, right?

End of the line, eventually, and mission accomplished. Well, ideas are a dime a dozen. They are not what it's all about. Austrodub, as they once succinctly put it, means total commitment, naivety, and not fearing failure. With a stance like that, you don't run out of ideas. The best come through your door with foreign tongues and good food and an open heart anyway.

And when they don't, it's just as well. Michael Wolf had to return to their mutual hometown of Innsbruck, still a painter and now also an art teacher; Helmut Erler stayed in Berlin as a mastering engineer and occasional solo musician. It is crisp and icy, angular and brittle, mysterious and massive, crystalline and breathing. It is as free and tight as they've ever been, and it will rub you the wrong way for a while. You'll want to play it on You'll wonder where that pull of heavy, empty space is coming from, so raw and different from their earlier ambition towards a smooth and luscious flow.

You'll be tempted to call it electroacoustic dub. But it's not about genres. It wasn't about genres in either, when dubstep ended up serving as the foil. Here, Michael Wolf selected classic riddims as a basis for each of the tracks, to make clear that it's not about composition. Well what is it all about then, after all? We just said it: Nearly became the album's title, too. At home in the mountains, having been a pioneering climber, Wolf would tell you that taking a break is essential when you've exhausted yourself, and that you should then continue at a slow pace.

Helmut Erler conceived of an elaborate setup of half-time renderings and microtemporal variation, and brought their backing-tracks for concerts that never happened to a fresh life. And here they are, molted to the shape of a true monolith. There was no master plan, just a sudden invitation for them to play at a festival in Innsbruck this June.

And so there it is, Sno Dub, born from the tides and pressures of passing life, and you're allowed to dance. Geschraubter, sonisch kriechender Nachhall. It's a difficult one to describe, and that's what makes it all the more excellent. Herler - Pudel Verkafft. Und es gibt koan, der da hinlafft,'' which translates roughly to ''Imagine the Pudel will be sold, and nobody goes there.

Artwork by the Pudel's award-winning designer Alex Solman C. Blumm in den Dub-Meister F. Pingipung verschenkt seine Debütveröffentlichung 'Riddims and Biscuits' als Gratis Download und veröffentlicht vier Riddims auf 7''-Single. Für die Drums holt F.

Er spielte nicht nur das Schlagzeug ein sondern mischte die Platte auch mit ab und hat das Mastering und den Vinylschnitt meisterhaft übernommen. Riddims and Biscuits feat. Blummbastic buy vinyl free download January Good wishes, guys - and slice a piece out of time! It's a pretty motley set of artists who have put their faders on the cello-heavy Springintgut tracks. At a gig at Hamburg's Golden Pudel Club, composer and mastering engineer Helmut Erler learned that a forced sale of the club was imminent, and spontaneously delivered a rhyming couplet about the threat, over subsonic bass and a driving beat: Wenn die Saiten runtergestimmt sind und die Snares nur so rollen, verwandelt sich der introvertierte Gitarrist F.

Another year another remix. Later she took some of our riddims for her Dub-Poetry. For me it is the Heartbeat riddim and the One World riddim. It is a music that leads you into other spheres of thought. Spheric Dub Poetry is the poetry I create within electrified music landscapes. Chassy Wezar - Honeybadger feat. Lisa Imuze Aldubb's Extended Dubmix 8.

The Senior Allstars - Talking Roots 9. Symbiz Sound - I Love Echo Jan Svankmajer - Food buy here: An old German Childrens' Rhyme inna Austrodub style.

Gallen Palace mit Africa Hitech Pudel Produkte 09 artists: Pingipung 16 30 sec prelisten - all tracks. Die Sonn und der Mond Radio Edit. MKT medien kunst tirol - http: An exceptional journey through the weird and wonderful worldwide subculture of electronic-experimental-pop music, as colourful as the world itself. Everything other than conventional worldmusic. The selected solo artists or 2-person-projects merge electronics with local traditions, cross-over experiments and curious sounds from cheap electronic and acoustic devices.

Mit freundlicher Unterstützung durch das Kulturforum der Österreichischen Botschaft. Herrenrunde ab 3 Männer. Ist der grund ist oben sufficiently schwarzen bitte taschengeld hobbyhuren kontakt paar sucht ihn hamburg. Halle erotik zwitter sex video. Reinhard aus Riedstadt Sextreff stuttgart hilflos gefesselt Lust auf mehr, Swinger schleswig. Hilflos gefesselt erregt, kostenlos sex tube.

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  • Das ist natürlich die Stunde der besungenen Österreicher, vertreten durch Hey O Hansen, die sich aber auskennen auf dem Kiez, und einen diesmal wirklich straighten Dubstep-Hit in den Hafen hieven, dass kein Container auf dem andern bleibt. Chubby Thai Teen with big tits masturbate on video chat 1 3:

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You guys have totally opened up in new ways that I think is totally great and full of exploration. Ich denke ich werde bestimmt noch ne Nummer in einer der nächsten Sendungen nachlegen!!! The bass is huge. Ben Loftis, Harrison Consoles product director. Interview auf der M. Penny Reel - unreleased Cpt. Run Joe - unreleased 1st. Ich sehe mich schon mit Ralf auf ausgedehnten Clubtouren durch zerbombte englische Industrielandschaften, vollgepumpt mit den neusten Psychodrogen, weitergereicht von Dubstep Partys zu Mega Raves, angespieen und gefeiert Shackleton, muss man sagen, tut was er gut kann und zieht das Tüdelband beherzt und unschuldig vorbei an der Sprachbarriere durch dunkle Wasser, bis es nur noch so bitzelt, aber nicht mehr so zündet.

Das ist natürlich die Stunde der besungenen Österreicher, vertreten durch Hey O Hansen, die sich aber auskennen auf dem Kiez, und einen diesmal wirklich straighten Dubstep-Hit in den Hafen hieven, dass kein Container auf dem andern bleibt. Unfassbar allein schon der granulare Sokoban, mit dem sie die Vocals veredeln. Wie gesagt, die räumen die bunten Kisten so auf, dass die Pressetexter aus Angst im Alpenurlaub verschellen.

Da bleibt dem Presto Peter eigentlich nur noch, einen freundlich tänzelnden Digidub nachzuschieben, zu dem sich nonchalant ein pudelwohles Piano gesellt und Gutenachtküsse verteilt.

Lawrence zeigt seinen Samplestempel vor, zieht sich gleich an die Bar zurück und tüdelt dort in Ruhe an der mitgebrachten Beatidee, und lässt ansonsten die Dubreformer die Räder am Wagen sein.

Pauli aus den Löchern. Tja, Superpudel fliegt wieder! It is a great german speaking internet radio station! Surprises are not to be big - above all they are to be pleasant. When Helmut and Michael told me about this, I just thought: Because I've known both band and label for so long. What was happening here was simply bound to happen.

Just like when you have two seperate friends in two different cities, and when they meet for the first time, at a party at your's, it turns out they always used to sit next to each other in primary school.

Except for that party at your's, but that's coming. Or, as one of the souls of Austrian Radio once termed it, their sing-along dub. That's not the whole story however, for in the band's own words: Just because it says dub doesn't mean it's reggae. Then you'll find the Eiffel Tower standing among palm trees, on which oranges are growing, and in a piece of peel of these we embark on a trip to Chicago Ukraine , the cow in mouse format is coming along too, and we'll take something to read, a dictionary, for the beautiful stories inside.

And while we're taking a detour via South America to buy some coffee , this bottle message gets washed up and brings us a doll's radio, sounding old rocksteady classics. Then they'll toot with their mouths, it's the will that matters, the melodica is good for an accordion, and if you have a guitar, you must play a solo.

And so we got the Pingipung Cafe Orchestra. No later than when you realize that what first sounded like a musical box is a classical harp, however, it becomes clear that chubby-handed toy music is something different. These kids have been at it for a long time. They tidy up their little big world as they think best. They sometimes let the clouds darken the skies, too.

They've got friends who command their instruments like weapons. So why do people call it Austrodub? Because they had been raised to the off-beat of Tyrolian folk music when they met in their hometown of Innsbruck, in a band called Captain Cheops and the Pyramids, that recognized the same off-beat in Ska and Rocksteady.

Because Helmut went to Berlin then, Michael somehow following him in advance, and both continued experimenting, on their own as well as together. And as everyone knows, people were playing samplers and sequencers in Berlin, rather than real instruments. Which was good, because it worked. Their four-track tape grew into a professional studio, and every now and then, they took it across the land and onto stages, and its recordings found their way into the ether and across the seven seas.

Is it really that alpine off-beat? Or is it Austrian cuisine - open to all sides, and a knack for the sweet? I think the reason for that is something entirely different. It's due to the fact that two principles are playing cat and mouse here, chasing after each other like sun and moon. It's because the centrifugal forces of artistic cross-grainedness are tearing at the central body of studio production that is up to every trick, because they're keeping the soaring flights of technical legerdemain and the craft of the studio nerd far away from polished standard in the improvisational joy of pre-digital home recording and the avant-garde's urge to break away.

It's because they let precise programming and straightforward, tight and focused drumming they can do that, too shine their calm light on rich and playful lo-fi details that frolic to their heart's delight, aware of and committed to artistic freedom and independence, and with disdain for coolness.

And it's because they develop their songs out of the structural openness and unpredictability of live performance, not out of stylish product ideas, even those that end up going down as well as the evergreens in this collection, and that's how they outlive every change of trend.

Their choice of musicians that they integrated into their band time and again over the years provides further evidence for this push for freedom, for the original, the wide world: Simonetta Ginelli's enchanting harp and Gordon Odameteys burning percussion, and currently the peerless Olaf Rupp guitar and Kazumi vocals - just mentioning those that I know myself, and including those who didn't make it onto the CD.

But here is where it opens up. And, as always, you are allowed to dance. Als Helmut und Michael mir das berichteten, dachte ich nur: Denn Band und Label kenne ich beide schon so lange. Naja, irgendwie verhält es sich hier ja wirklich so.

Bis auf die Party bei dir, aber die kommt noch. Aber das ist nicht die ganze Geschichte. Denn, wie sie selbst sagen: Nicht überall, wo Dub draufsteht, ist auch Reggae drin. Da steht dann der Eiffelturm unter Palmen, an denen Orangen wachsen, in deren Schalenstückchen man sich auf den Weg nach Chicago Ukraine macht, die Kuh im Mausformat kommt mit, und zum Lesen ein Wörterbuch, wegen der schönen Geschichten.

Keine Tuten im Haushalt? Dann tuten sie mit dem Mund, der Wille macht's, fürs Akkordeon taugt die Melodika, und wer die Gitarre hat, muss halt ein Solo spielen. Fertig ist das Pingipung Cafe Orchestra. Spätestens aber, wenn das, was erst wie eine Spieluhr klingt, sich als klassische Harfe entpuppt, ist jedoch klar: Patschhändige Spielzeugmusik ist was anderes. Diese Kinder sind schon lange dabei.

Die lassen auch mal dunkle Wolken aufziehen. Die haben Freunde, die können ihr Instrument führen wie eine Waffe. Warum schreiben die Leute Austrodub? Weil Helmut dann nach Berlin ging, Michael ihm irgendwie voraus hinterher, und sie dort alleine und zu zweit weiterprobierten. Das war gut, denn damit ging was. Aus dem Vierspurtape wuchs ein professionelles Studio, das wurde immer wieder durchs Land und auf Bühnen getragen, und fand auf Tonträgern den Weg in den Äther und über die sieben Meere.

Ist es wirklich dieser alpine Offbeat? Ich glaube, es liegt an was ganz anderem. Es liegt daran, dass hier zwei Prinzipien Katz und Maus miteinander spielen, sich jagen wie Sonne und Mond. Denn am Zentralgestirn der mit allen Wassern gewaschenen Studioproduktion zerren die Fliehkräfte der künstlerischen Widerborstigkeit, die die Höhenflüge technischer Tricks und das Handwerk des Studio-Nerds weitab vom Amtlichen in der Improvisationlust des vordigitalen Homerecordings und dem Absetzungsdrang der Avantgarde halten.

Es liegt daran, dass präzise Programmierung und schnörkelloses, auf den Punkt tightes Schlagzeug das können sie auch ihr Licht entspannt auf detailreiche Lo-Fi-Verspieltheiten leuchten lassen dürfen, die sich in Bewusstsein und Pflicht künstlerischer Freiheit und Unabhängigkeit und Missachtung von Coolness nach Herzenslust austoben.

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